-
Waiting for Work to Begin
When I feel the rain fall again, I’ll know
to begin this ten-fingered dance.Its ragged edges and rough sounds
catch the water and collect its story —from sky to peak, through wood and moss,
off asphalt, boulders, steel. I’ll hear the patterof rain on the earth above, crawl forth
and speak of the small things I see.Mud and leaves, wet stones, moist bark.
I’ve waited too long. Now my work begins. -
Michael Shermer on shaken souls
“What can be more soul shaking than peering through a 100-inch telescope at a distant galaxy, holding a 100-million-year-old fossil or a 500,000-year-old stone tool in one’s hand, standing before the immense chasm of space and time that is the Grand Canyon, or listening to a scientist who gazed upon the face of the universe’s creation and did not blink? That is deep and sacred science.”
– Michael Shermer, quoted on page 345 of The God Delusion
-
Petra’s Al Khazneh in LEGO
Cross-posted from The Brothers Brick.
One of my dearest memories of the summer in 1994 that I spent working on an archaeological dig in Jordan was a weekend trip to Petra. We arrived from Amman late in the evening, but several of my fellow archaeology students couldn’t wait until morning to see the amazing structures carved from the sandstone 2000 years ago, so we snuck across wadi after wadi, avoiding the main paths. Once past the guard posts, we walked through the narrow gorge known as al-Siq — pitch black at night — until the passage opened in front of us to reveal Al Kazhneh, lit only by starlight.
ArzLan built his LEGO version of the Treasury for the Hong Kong Animation Festival, and features Indiana Jones in his Last Crusade visit to this UNESCO Heritage site.
-
Cathedrals
They stand black against the white bluffs
rising beyond the river, monuments
to miracles we performed
in their deep blue pools. Atoms flashed
apart. Wonders appeared
over cities in a distant land.Their purpose complete, we encase them
in stone. If you follow this road
due north, you’ll find
the old school facing the water. Tumbleweeds
flit by its empty windows like neutrons
dancing toward their new life.Wind and soldiers have taken the wood
from homes left behind
to make way for all this science.
Submarines rust in pits.
The salmon don’t run. There are no
signs to explain what this place means.That shimmer you feel on the wind,
the way the ground sometimes shudders —
the power we achieved
in those black buildings hangs in the air
and lingers in the soil. Out there on the horizon,
they will remain when all of us are gone.Read about the experience that created this poem in “Stuck in a Hanford reactor building elevator.”
-
STS-Last
For my 12th birthday in 1986, my grandmother sent me a card covered in people doing grown-up jobs — fireman, policeman, doctor, teacher, and astronaut. Inside, the card informed me that I could grow up to be anything I wanted to be. A few short months after the Challenger disaster, Grammie had crossed off the astronaut and written, “Except this one.”
Despite all that the Shuttle has accomplished in the intervening 25 years, America’s relationship with the space program has never been the same, and human space flight at NASA has merely hobbled along — at least compared to the giant leaps taken in the 60’s and early 70’s. I may still believe that our 43rd president was the worst in our history, but one thing he did right was to set NASA’s sights beyond low earth orbit again, to the Moon and Mars.
The launch of Space Shuttle Atlantis on its final mission today marks the beginning of a strange gap in America’s history of human space flight.
The Orion/Multi-Purpose Crew Vehicle is still under development, as are the commercial launch vehicles designed to take astronauts and cargo to the International Space Station. Until these new systems come online, NASA astronauts must hitch rides aboard spacecraft built and launched by other countries. Perhaps we’re witnessing the birth of a new, more cooperative era, but it feels strange that NASA is no longer self-reliant.
-
In the footsteps of James Joyce and Leopold Bloom
My favorites of Dublin’s many layers are those that bring to life its rich literary history. Today is Bloomsday, when the strata laid down by James Joyce come to light all across the city (in the photo on the right, banners for Bloomsday on O’Connell Street). A full day at work followed by dinner with business partners from New Zealand precluded any participation in Bloomsday — a genuine disappointment, so perhaps I can embrace Philip Larkin’s source of inspiration.
Nevertheless, I’ve found myself following Joyce and Bloom all week long, and indeed earlier during my two previous visits in August 2008 and February this year.
My flight arrived early enough that my hotel room wasn’t ready, so I headed north on Grafton Street (“gay with housed awnings”), across the O’Connell Bridge, briefly into the General Post Office, then onto the James Joyce Centre. The museum preserves the front door of Number 7 Eccles Street, where Joyce’s friend J.F. Byrne lived in 1904 and which Joyce used as the home of Leopold and Molly Bloom in the novel.
Jetlag began to catch up with me as I finished the exhibits, so I took the offer of a free lecture at the Joyce Centre to hear a great deal about Phoenix Park that I’d never have learned otherwise. It’s now on my list of places to visit next time I’m in Dublin.
South on O’Connell Street, past Trinity College and the old Irish Houses of Parliament (already the Bank of Ireland in 1904), and back toward the hotel on aching feet…
The next afternoon, I headed north on Grafton Street again, but turned right onto Duke Street, where Davy Byrnes Pub exists in all its nonfictional glory.
He entered Davy Byrne’s. Moral pub. He doesn’t chat. Stands a drink now and then. But in leapyear once in four. Cashed a cheque for me once.
There were far more mouthwatering options on the contemporary menu, but I set aside my disdain for tourist behavior and ordered the gorgonzola sandwich.
Mr Bloom ate his strips of sandwich, fresh clean bread, with relish of disgust, pungent mustard, the feety savour of green cheese.
As much as I missed doing something symbolically Joycean on Bloomsday itself, I realized that Ulysses is everywhere, all the time in modern Dublin, and the real Dublin suffuses Ulysses on every page. An evening in a Dublin restaurant with Antipodean colleagues may have been no less “Joycean” than turning the rusty knob of Leopold Bloom’s front door or eating bread topped with overwhelmingly green cheese.
You can see a more complete photo tour of Joyce and Bloom’s Dublin by Tony Thwaites of the University of Queensland, to whom I’m indebted for some of my own after-the-fact details and choice Ulysses quotes.
-
To the moons of Saturn, for science!
Someone recently asked a random online forum what one place we wanted to go most in the universe. Most people responded with answers bounded by Earth’s atmosphere, but I couldn’t help imagining what a trip to the moons of Saturn — Titan, Tethys, Phoebe, and dozens more.
CASSINI MISSION from Chris Abbas on Vimeo.
Chris Abbas created a video featuring Titan and its moons that captures their mystery without diminishing the real science behind the Cassini mission that sent back these images. Make sure to expand the video to full-screen for the full effect.
Via Boing Boing.
-
To Dublin, for Bloomsday!
Work takes me to Dublin again in two weeks. As it so happens, I’ll be there for Bloomsday, when the city celebrates Ulysses, James Joyce, and Irish literature in general.
I’m not sure how much time I’ll be able to spend outside work, but Bloomsday is a weeklong event (centered on June 16th, of course), so I’m looking forward to fitting in as much Joycean goodness as I can.
-
Marilyn Monroe reading Ulysses by Eve Arnold
It seems Marilyn Monroe got a lot deeper into James Joyce’s masterpiece than I have managed to.
-
Industrial design of the Paleolithic
After I posted my sad tale of lost antiquities, I went back down to the basement and gave the search another shot. Thanks to some minor flooding last autumn, I’d carted most of our still-packed boxes around fairly recently, so had a pretty good idea where my Paleolithic tools might be. Two boxes into my search, I found them.
Each tool is fascinating, but one in particular has intrigued me and made me question the label of “crude” I had applied in my review of the Burke Museum. I learned to respect the maker of this tool — presumably a scraper — only after turning it over and over in my hand, until suddenly it just fit. The basic problem was that I was trying to hold the tool the way they’re displayed in museums, with the “interesting” side up (below, left). By turning the tool the other way around (below, right), all its bumps and ridges slipped into place.
Specifically, the bulb of percussion slips under my thumb and the ridges fit my fingers. After a little more experimentation, I found two more ways of holding the scraper. It even has a plane where you can rest your finger to apply greater pressure (below, left) while cutting.
But all of that is just “basic functionality.” At first, I thought the tip had broken off, but in reality the exposed cortex appears to be part of the “design,” with several stripes from the ancient sedimentary stone left in place. Similarly, the flint-knapper has left a strip of the lighter-colored cortex in place along the non-cutting edge. These little touches add absolutely no functional value to the tool. They’re just, well, beautiful.
The reason I love archaeology is less about the science (though I’m passionate about that, too) and more about the connections I feel with the people who came before me. Through this hunk of stone, I find myself connected to one specific person who did something special with their chert scraper more than 18,000 years ago.
And that connection is something special indeed.











